MACBETH: Royal Opera House Live (12A)

Wednesday 4th April 2018 @ 7:15PM

[£12-£16] Buy tickets online or [box office: 01428 642 161]

Members of the Royal Opera Chorus as The Witches in Act I of the Royal Opera revival of Macbeth (2002) by Giuseppe Verdi (1813-1901), directed by Phyllida Lloyd (revival direstor Harry Fehr) with set and costume designs by Anthony Ward and lighting design by Paule Constable. Performed at the Royal Opera House, Covent Garden on 21 May 2011. ARPDATA ; MACBETH ; Music by Verdi ; Directed by Lloyd ; Designs by Ward ; Members of the Royal Opera Chorus (as The Witches) ; The Royal Opera ; At the Royal Opera House, London, UK ; 21 May 2011 ; Credit: Clive Barda / Royal Opera House / ArenaPAL

Members of the Royal Opera Chorus as The Witches in Act I of the Royal Opera revival of Macbeth (2002) by Giuseppe Verdi (1813-1901), directed by Phyllida Lloyd (revival direstor Harry Fehr) with set and costume designs by Anthony Ward and lighting design by Paule Constable. Performed at the Royal Opera House, Covent Garden on 21 May 2011.
ARPDATA ;
MACBETH ;
Music by Verdi ;
Directed by Lloyd ;
Designs by Ward ;
Members of the Royal Opera Chorus (as The Witches) ;
The Royal Opera ;
At the Royal Opera House, London, UK ;
21 May 2011 ;
Credit: Clive Barda / Royal Opera House / ArenaPAL

Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.

Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.

Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds.

The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.

APPROXIMATE RUNNING TIME: 3 HOURS 20 MINUTES, INCLUDING ONE INTERVAL | SUNG IN ITALIAN WITH ENGLISH SURTITLES.

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