Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti. In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord, and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

 

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